Shows running between 1 April 2025 and 31 March 2026 will be eligible for season 25/26.
Finalists will be announced shortly after the season closes, and winners will be announced at the annual Awards Ceremony.
| Nominee | Nomination | Show | Producer | Venue | ||||
|---|---|---|---|---|---|---|---|---|
| Hannah Wickham | Costume | The Boline Inn | Meadow Report | Hope Theatre | ||||
| Keanu Adolphus Johnson (Charlie) and Matthew Baldwin (Flora) | Adult Panto (Performance) | Beauty and the Beast: A Horny Love Story | He's Behind You | Charing Cross Theatre | Full | Large | Large | Superb production values. Best ever set and costumes I've seen at the CXT |
| Aaron Clingham | Adult Panto (Music) | Beauty and the Beast: A Horny Love Story | He's Behind You | Charing Cross Theatre | Full | Large | Large | Superb production values. Best ever set and costumes I've seen at the CXT |
| Carole Todd | Adult Panto (Choreography/Movement) | Beauty and the Beast: A Horny Love Story | He's Behind You | Charing Cross Theatre | Full | Large | Large | Superb production values. Best ever set and costumes I've seen at the CXT |
| Andrew Beckett | Adult Panto (Direction) | Beauty and the Beast: A Horny Love Story | He's Behind You | Charing Cross Theatre | Full | Large | Large | Superb production values. Best ever set and costumes I've seen at the CXT |
| David Shields (Set) and Robert Draper (Costumes) | Adult Panto (Design) | Beauty and the Beast: A Horny Love Story | He's Behind You | Charing Cross Theatre | Full | Large | Large | Superb production values. Best ever set and costumes I've seen at the CXT |
| He's Behind You | Adult Panto (Production) | Beauty and the Beast: A Horny Love Story | He's Behind You | Charing Cross Theatre | Full | Large | Large | Superb production values. Best ever set and costumes I've seen at the CXT |
| Will Pickering & Simon Slater | Family Panto (Music) | Puss in Boots | Theatre Royal Winchester | Theatre Royal Winchester | ||||
| Robin Belfield | Family Panto (Writing/Devising) | Puss in Boots | Theatre Royal Winchester | Theatre Royal Winchester | ||||
| Julian Eardley (Pantomime Dame) | Family Panto (Performance) | Puss in Boots | Theatre Royal Winchester | Theatre Royal Winchester | ||||
| Bekah Selina (Puss) | Family Panto (Performance) | Puss in Boots | Theatre Royal Winchester | Theatre Royal Winchester | ||||
| Theatre Royal Winchester | Production | Puss in Boots | Theatre Royal Winchester | Theatre Royal Winchester | ||||
| Gwithian Evans | Solo Performance (Play) | One Christmas Carol | Unusual Theatre | Canal Café Theatre | ||||
| Alistair Lindsay | Lighting | One Christmas Carol | Unusual Theatre | Canal Café Theatre | ||||
| Richard Carter | Sound | One Christmas Carol | Unusual Theatre | Canal Café Theatre | ||||
| Claire Evans | Director (Play) | One Christmas Carol | Unusual Theatre | Canal Café Theatre | ||||
| Unusual Theatre | Production | One Christmas Carol | Unusual Theatre | Canal Café Theatre | ||||
| George P Martin | Set | Bonnie and Clyde | Old Joint Stock | Old Joint Stock | ||||
| Samuel Murray | Lead Performance (Musicals) | Bonnie and Clyde | Old Joint Stock | Old Joint Stock | ||||
| Emily Susanne Lloyd | Director (Musicals) | Bonnie and Clyde | Old Joint Stock | Old Joint Stock | ||||
| Ben Barrow | Musical Director | Bonnie and Clyde | Old Joint Stock | Old Joint Stock | ||||
| Old Joint Stock | Production | Bonnie and Clyde | Old Joint Stock | Old Joint Stock | ||||
| Natalie Titchener | Costume | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Diego Pitarch | Set | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Jamie Platt | Lighting | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Chris Wybrow | Sound | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Simbi Akande and Nadim Naaman | Lead Performance (Musicals) | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Jo Servi, Mark Moraghan, Sophie-Louise Dann. Alfie Blackwell | Supporting Performance (Musicals) | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Ensemble | Ensemble Performance (Musicals) | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Joseph Pitcher | Director (Musicals) | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Nick Tudor | Musical Director | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Alfie Blackwell | Newcomer | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Sally Hughes for The Mill at Sonning | Production | My Fair Lady | The Mill at Sonning | The Mill at Sonning | ||||
| Tom Dickerson | Lead Performance (Musicals) | Be More Chill | Old Joint Stock | Old Joint Stock | ||||
| Tommy Fouweather | Supporting Performance (Musicals) | Be More Chill | Old Joint Stock | Old Joint Stock | ||||
| James Edge | Director (Musicals) | Be More Chill | Old Joint Stock | Old Joint Stock | ||||
| Callum Thompson | Musical Director | Be More Chill | Old Joint Stock | Old Joint Stock | ||||
| Jack Carr | Newcomer | Be More Chill | Old Joint Stock | Old Joint Stock | ||||
| John OG | Newcomer | Be More Chill | Old Joint Stock | Old Joint Stock | ||||
| Liam Alexandru | Video Design | Be More Chill | Old Joint Stock | Old Joint Stock | ||||
| Old Joint Stock | Production | Be More Chill | Old Joint Stock | Old Joint Stock | ||||
| Yimei Zhao | Set | Porn Play | Royal Court | Royal Court Jerwood Theatre Upstairs | ||||
| Ambika Mod | Lead Performance (Play) | Porn Play | Royal Court | Royal Court Jerwood Theatre Upstairs | ||||
| Cara McInanny | TYA Performance | Red | Chickenshed | Chickenshed | ||||
| Dave Carey, Phil Haines, Cara McInanny, Áine Smith | TYA Music | Red | Chickenshed | Chickenshed | ||||
| Andrew Caddies | TYA Design (Set and Lighting) | Red | Chickenshed | Chickenshed | ||||
| Chickenshed | Production | Red | Chickenshed | Chickenshed | ||||
| Paul Joseph and Tim Benzie | Adult Panto (Writing) | Growled – Beauty and the Beast Continues | Dave Cross | Royal Vauxhall Tavern | ||||
| Ada Campe | Adult Panto (Performance) | Growled – Beauty and the Beast Continues | Dave Cross | Royal Vauxhall Tavern | ||||
| Finella Waddilove | New Play | Doughnut Drive | Rachel Duncan | Drayton Arms Theatre | ||||
| Finella Waddilove and Sarah Parkins | Duo Performance (Play) | Doughnut Drive | Rachel Duncan | Drayton Arms Theatre | ||||
| Finella Waddilove | Director (Play) | Doughnut Drive | Rachel Duncan | Drayton Arms Theatre | ||||
| Rachel Duncan | Production | Doughnut Drive | Rachel Duncan | Drayton Arms Theatre | ||||
| Ensemble (Elan Butler, Nathaniel Christian and Leanne Henlon) | TYA Performance | The Chaos That Has Been and Will No Doubt Return | Chalk Line Theatre | Half Moon Theatre | ||||
| Amy Lawrence | Choreography/Movement | David Copperfield | Jermyn Street Theatre/Guildford Shakespeare Company | Jermyn Street Theatre | ||||
| Abigail Pickard Price | Director (Play) | David Copperfield | Jermyn Street Theatre/Guildford Shakespeare Company | Jermyn Street Theatre | ||||
| Luke Barton, Louise Beresford, Eddy Payne | Ensemble (Play) | David Copperfield | Jermyn Street Theatre/Guildford Shakespeare Company | Jermyn Street Theatre | ||||
| Jermyn Street Theatre/Guildford Shakespeare Company | Production | David Copperfield | Jermyn Street Theatre/Guildford Shakespeare Company | Jermyn Street Theatre | ||||
| Jermyn Street Theatre/Guildford Shakespeare Company | Production | David Copperfield | Jermyn Street Theatre/Guildford Shakespeare Company | Jermyn Street Theatre | ||||
| Full House Theatre and Daryl & Co co-production | TYA Production | The Three Bears | Full House Theatre and Daryl & Co co-production | Half Moon Theatre | ||||
| Ensemble (Daryl Beeton, Ben Miles, Leon Wander) | TYA Performance | The Three Bears | Full House Theatre and Daryl & Co co-production | Half Moon Theatre | ||||
| Robert North | Choreography/Movement | The Snowman | Birmingham Rep | Peacock Theatre | ||||
| Ruari Murchison | Set | The Snowman | Birmingham Rep | Peacock Theatre | ||||
| Tim Mitchell | Lighting | The Snowman | Birmingham Rep | Peacock Theatre | ||||
| Birmingham Rep | Production | The Snowman | Birmingham Rep | Peacock Theatre | ||||
| Haoyu Wang, Tianxin Tian, Hector T.J. Huang | New Play | Be Gay, For God’s Sake | Haoyu Wang, Katherine (Meiyu) Guo | Theatre Deli | ||||
| Haoyu Wang, Tianxin Tian, Hector T.J. Huang, Shanshan Wu | Ensemble (Play) | Be Gay, For God’s Sake | Haoyu Wang, Katherine (Meiyu) Guo | Theatre Deli | ||||
| Gerald Armin | Director (Play) | In Conversation with Graham Norton | Gerald Armin | Waterloo East Theatre | ||||
| Jamie Kaye | Solo Performance (Play) | In Conversation with Graham Norton | Gerald Armin | Waterloo East Theatre | ||||
| Mydd Pharo | Set | Loop | SH Productions | Theatre503 | ||||
| Cheng Keng | Lighting | Loop | SH Productions | Theatre503 | ||||
| Tanya-Loretta Dee | Solo Performance (Play) | Loop | SH Productions | Theatre503 | ||||
| Tanya-Loretta Dee | New Play | Loop | SH Productions | Theatre503 | ||||
| Sophie Ellerby | Director (Play) | Loop | SH Productions | Theatre503 | ||||
| SH Productions | Production | Loop | SH Productions | Theatre503 | ||||
| Em Prendergast & Zoë McWhinney | Duo Performance (Play) | Barrier(s) | Deafinitely Theatre, Birmingham Rep, Camden People's Theatre and Leeds Playhouse | Camden People's Theatre | ||||
| Deafinitely Theatre | Access | Barrier(s) | Deafinitely Theatre, Birmingham Rep, Camden People's Theatre and Leeds Playhouse | Camden People's Theatre | ||||
| Daniel Copeland | Supporting Performance (Play) | Poor Shirley Must Make Her Escape | Ella McQueen | Union Theatre | ||||
| Lydia Sax | Director (Play) | Enigma Variations | OSO Arts Centre and Jamie Rycroft | Oso Arts Centre | ||||
| Éric-Emmanuel Schmitt (translated by Jeremy Sams) | New Play | Enigma Variations | OSO Arts Centre and Jamie Rycroft | Oso Arts Centre | ||||
| Toby Wynn-Davies and Jacob Hutchings | Duo Performance (Play) | Enigma Variations | OSO Arts Centre and Jamie Rycroft | Oso Arts Centre | ||||
| OSO Arts Centre and Jamie Rycroft | Director (Play) | Enigma Variations | OSO Arts Centre and Jamie Rycroft | Oso Arts Centre | ||||
| Elisabeth Gunawan | New Play | Prayers for a Hungry Ghost | KISS Witness | Barbican Pit | ||||
| Elisabeth Gunawan, Sook Kuan Tang, Jasmine Chiu, Daniel York Loh | Ensemble (Play) | Prayers for a Hungry Ghost | KISS Witness | Barbican Pit | ||||
| Elisabeth Gunawan, Matej Matejka, Sook Kuan Tang | Director (Play) | Prayers for a Hungry Ghost | KISS Witness | Barbican Pit | ||||
| Aya Nakamura | Puppetry Contribution | Prayers for a Hungry Ghost | KISS Witness | Barbican Pit | ||||
| KISS Witness | Production | Prayers for a Hungry Ghost | KISS Witness | Barbican Pit | ||||
| Gareth Rowntree | Set | Cockfosters | Tom Woffenden and Hamish Clayton | Southwark Playhouse (Borough) | ||||
| Tom Woffenden and Hamish Clayton | New Play | Cockfosters | Tom Woffenden and Hamish Clayton | Southwark Playhouse (Borough) | ||||
| Carmel Dean | New Music | Maiden Voyage | Mark Cortale, Dale Franzen, Jonathan Murray, Harvey Reese, Shared Experience | Southwark Playhouse (Elephant) | ||||
| Mindi Dickstein | New Musical (Lyrics) | Maiden Voyage | Mark Cortale, Dale Franzen, Jonathan Murray, Harvey Reese, Shared Experience | Southwark Playhouse (Elephant) | ||||
| Tara Overfield Wilkinson | Director (Musical) | Maiden Voyage | Mark Cortale, Dale Franzen, Jonathan Murray, Harvey Reese, Shared Experience | Southwark Playhouse (Elephant) | ||||
| Jack Baxter | Video | Maiden Voyage | Mark Cortale, Dale Franzen, Jonathan Murray, Harvey Reese, Shared Experience | Southwark Playhouse (Elephant) | ||||
| Mark Cortale, Dale Franzen, Jonathan Murray, Harvey Reese, Shared Experience | Production | Maiden Voyage | Mark Cortale, Dale Franzen, Jonathan Murray, Harvey Reese, Shared Experience | Southwark Playhouse (Elephant) | ||||
| Joanne Marshall | Lighting | The Mad Ones | Electric Press Productions, Samantha Creswick | The Other Palace (Studio) | ||||
| Tom Bedworth | Sound | The Mad Ones | Electric Press Productions, Samantha Creswick | The Other Palace (Studio) | ||||
| Courtney Stapleton | Supporting Performance (Musicals) | The Mad Ones | Electric Press Productions, Samantha Creswick | The Other Palace (Studio) | ||||
| Callum Thompson | Musical Director | The Mad Ones | Electric Press Productions, Samantha Creswick | The Other Palace (Studio) | ||||
| Emily Susan Lloyd | Director (Musical) | The Mad Ones | Sam Cresswick, Electric Press Productions | The Other Palace (Studio) | ||||
| Reuben Speed | Set Design | The Mad Ones | Sam Cresswick, Electric Press Productions | The Other Palace (Studio) | ||||
| Dora Gee | Lead Performance - Musicals | The Mad Ones | Sam Cresswick, Electric Press Productions | The Other Palace (Studio) | ||||
| Sam Cresswick, Electric Press Productions | Production | The Mad Ones | Sam Cresswick, Electric Press Productions | The Other Palace (Studio) | ||||
| Thea-Jo Wolfe | Supporting Performance - Musicals | The Mad Ones | Sam Cresswick, Electric Press Productions | The Other Palace (Studio) | ||||
| Nance Turner and Emily O’Mahony | Duo Performance (Play) | Jamless | Northern Spirit Theatre/ Nance Turner | Lion and Unicorn | ||||
| Rachael Beliss and Jay Rincon | Duo Performance (Play) | The Sea Horse | Mark Cheng and Vicky MacRae | Golden Goose Theatre | ||||
| Handspring Puppet Company | Puppetry | Faustus in Africa! | Quaternaire/Paris | Coronet Theatre | ||||
| Adrian Kohler | Set | Faustus in Africa! | Quaternaire/Paris | Coronet Theatre | ||||
| William Kentridge | Video | Faustus in Africa! | Quaternaire/Paris | Coronet Theatre | ||||
| Simon Kohler | Sound | Faustus in Africa! | Quaternaire/Paris | Coronet Theatre | ||||
| Quaternaire/Paris | Production | Faustus in Africa! | Quaternaire/Paris | Coronet Theatre | ||||
| James Hyland | Solo Performance (Play) | Silver & Gold | Brother Wolf | Golden Hinde Ship | ||||
| Sarah Booth | Set | Gwenda's Garage | Out of the Archive, in association with Sheffield Theatres | Southwark Playhouse (Borough) | ||||
| Val Regan | New Musical (Music) | Gwenda's Garage | Out of the Archive, in association with Sheffield Theatres | Southwark Playhouse (Borough) | ||||
| Val Regan in collaboration with Nicky Hallett | New Musical (Lyrics) | Gwenda's Garage | Out of the Archive, in association with Sheffield Theatres | Southwark Playhouse (Borough) | ||||
| Cast of Gwenda's Garage | Ensemble (Musicals) | Gwenda's Garage | Out of the Archive, in association with Sheffield Theatres | Southwark Playhouse (Borough) | ||||
| Out of the Archive, in association with Sheffield Theatres | Production | Gwenda's Garage | Out of the Archive, in association with Sheffield Theatres | Southwark Playhouse (Borough) | ||||
| Isabella Garland | New Play | Mr. Stevens | Aaron Thakar, Ella Jarvis - Parkhouse Theatres | Arches Lane Theatre | ||||
| Cast of Mr. Stevens | Ensemble (Play) | Mr. Stevens | Aaron Thakar, Ella Jarvis - Parkhouse Theatres | Arches Lane Theatre | ||||
| Aaron Thakar | Director (Play) | Mr. Stevens | Aaron Thakar, Ella Jarvis - Parkhouse Theatres | Arches Lane Theatre | ||||
| Aaron Thakar, Ella Jarvis - Parkhouse Theatres | Production | Mr. Stevens | Aaron Thakar, Ella Jarvis - Parkhouse Theatres | Arches Lane Theatre | ||||
| Cast of Period Parrrty | Ensemble (Play) | Period Parrrty | Kali Theatre | Soho Theatre | ||||
| Colin Falconer | Set | Julius Caesar (Tangle Theatre Company) | Tangle Theatre Company | Omnibus Theatre | ||||
| Cast of Julius Caesar | Ensemble (Play) | Julius Caesar (Tangle Theatre Company) | Tangle Theatre Company | Omnibus Theatre | ||||
| Anna Coombs | Director (Play) | Julius Caesar (Tangle Theatre Company) | Tangle Theatre Company | Omnibus Theatre | ||||
| Tangled Theatre Company | Production | Julius Caesar (Tangle Theatre Company) | Tangle Theatre Company | Omnibus Theatre | ||||
| Rikki Beadle-Blair MBE | Director Of A Play | Daddy's First Gay Date | Sam Danson | Seven Dials Playhouse | ||||
| Dior Clarke | Supporting Performance (Play) | Daddy's First Gay Date | Sam Danson | Seven Dials Playhouse | ||||
| Megan Edmondson | Supporting Performance (Play) | Daddy's First Gay Date | Sam Danson | Seven Dials Playhouse | ||||
| Sam Danson | New Play | Daddy's First Gay Date | Sam Danson | Seven Dials Playhouse | ||||
| Sam Danson | Lead Performance (Play) | Daddy's First Gay Date | Sam Danson | Seven Dials Playhouse | ||||
| Sam Danson | Production | Daddy's First Gay Date | Sam Danson | Seven Dials Playhouse | ||||
| Suzy Bloom | Lead Performance (Play) | The Ecstasy of Hedy Lamarr | Graham Warrener | New Wimbledon Theatre (Studio) | ||||
| Mimi Nation-Dixon | New Play | Sit or Kneel | Mimi Nation-Dixon | The Other Palace (Studio) | ||||
| Mimi Nation-Dixon | Solo Performance (Play) | Sit or Kneel | Mimi Nation-Dixon | The Other Palace (Studio) | ||||
| Isabel Renner | New Play | Wyld Woman: The Legend of Shy Girl | Catherine Schreiber | Southwark Playhouse (Borough) | ||||
| Isabel Renner | Solo Performance (Play) | Wyld Woman: The Legend of Shy Girl | Catherine Schreiber | Southwark Playhouse (Borough) | ||||
| Hannah Williams | Set | The Monkey's Paw | Infinite Space Theatre | Hope Theatre | ||||
| Cezarah Bonner | Lead Performance (Musicals) | Bloody Mary and the Nine Day Queen | Handiwork Productions | Union Theatre | ||||
| Anna Unwin | Supporting Performance (Musicals) | Bloody Mary and the Nine Day Queen | Handiwork Productions | Union Theatre | ||||
| David Gibson | Musical Director | Bloody Mary and the Nine Day Queen | Handiwork Productions | Union Theatre | ||||
| Gareth Hides and Anna Unwin | New Music | Bloody Mary and the Nine Day Queen | Handiwork Productions | Union Theatre | ||||
| Handiwork Productions | Production | Bloody Mary and the Nine Day Queen | Handiwork Productions | Union Theatre | ||||
| Joz Norris | Solo Performance (Play) | The Wolf of Poyais | Blue Bar Production | Golden Goose Theatre | ||||
| Sam Went | New Play | The Wolf of Poyais | Blue Bar Production | Golden Goose Theatre | ||||
| Jamie Lu | Sound | This Little Earth | 3 hearts canvas | Arcola Theatre (Studio) | ||||
| Ryan Joseph Stafford | Lighting | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| Issie Osborne | Musical Director | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| Shankho Chaudhuri | Set | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| Issie Osborne | New Musical (Book) | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| Jack Godfrey | New Musical (Music) | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| Jack Godfrey | New Musical (Lyrics) | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| Danielle Steers and Tobias Turley | Duo Performance (Musicals) | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| Ellie Coote | Director (Musicals) | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| Pearson Casting CDG | Casting | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| Birmingham Hippodrome, in association with Vicky Graham Productions | Production | Hot Mess | Vicky Graham Productions | Southwark Playhouse (Elephant) | ||||
| David Hampshire | New Musical (Book) | Keep Your Sunny Side Up | South Coast Theatre | Lantern Theatre, Brighton | ||||
| Lisa Rouselle | Lead Performance (Musicals) | Keep Your Sunny Side Up | South Coast Theatre | Lantern Theatre, Brighton | ||||
| Pete Moody | Musical Director | Keep Your Sunny Side Up | South Coast Theatre | Lantern Theatre, Brighton | ||||
| South Coast Theatre | Production | Keep Your Sunny Side Up | South Coast Theatre | Lantern Theatre, Brighton | ||||
| Frances Barber | Cabaret (Performance) | MUSIK | Cahoots Theatre Company | Wilton's Music Hall | ||||
| Leo Flint | Cabaret (Video Design) | MUSIK | Cahoots Theatre Company | Wilton's Music Hall | ||||
| Polka Theatre | TYA Production | Dweeb-a-Mania | Polka Theatre | Polka Theatre | ||||
| Tom Storey, Amy Blake | TYA Performance | Dweeb-a-Mania | Polka Theatre | Polka Theatre | ||||
| Sarah Middleton | TYA Writing | Dweeb-a-Mania | Polka Theatre | Polka Theatre | ||||
| Sound: Ellie Isherwood, Set & Costume: Kate Lias | TYA Design | Dweeb-a-Mania | Polka Theatre | Polka Theatre | ||||
| DK Fashila, Nora Iso-Kungas | Choreography | Dweeb-a-Mania | Polka Theatre | Polka Theatre | ||||
| Ephemeral Ensemble | Production | Uprooted | Ephemeral Ensemble | New Diorama | ||||
| Nao Nagai | Lighting | EXXY | Dan Daw Creative Projects (DDCP) | Battersea Arts Centre | ||||
| Dan Daw | Director (Play) | EXXY | Dan Daw Creative Projects (DDCP) | Battersea Arts Centre | ||||
| Ellie Wintour | Set | Da Vinci's Laundry | Kit Bromovsky | Riverside Studios | ||||
| Jack Hathaway | Lighting | Da Vinci's Laundry | Kit Bromovsky | Riverside Studios | ||||
| Ian Nicholas | Set | Lee | OnBook Theatre, in association with Park Theatre | Park90 | ||||
| John Michie | Lead Performance (Play) | Blue/Orange | Greenwich Theatre | Greenwich Theatre | ||||
| Rhianne Barreto and Matthew Morrison | Ensemble (Play) | Blue/Orange | Greenwich Theatre | Greenwich Theatre | ||||
| Esther Baker | Director (Play) | Lifers | Synergy Theatre Project | Southwark Playhouse (Borough) | ||||
| Peter Wright | Lead Performance (Play) | Lifers | Synergy Theatre Project | Southwark Playhouse (Borough) | ||||
| James Backway | Supporting Performance (Play) | Lifers | Synergy Theatre Project | Southwark Playhouse (Borough) | ||||
| Evan Placey | New Play | Lifers | Synergy Theatre Project | Southwark Playhouse (Borough) | ||||
| Katy McPhee | Set | Lifers | Synergy Theatre Project | Southwark Playhouse (Borough) | ||||
| Tony Simpson | Lighting | Lifers | Synergy Theatre Project | Southwark Playhouse (Borough) | ||||
| Synergy Theatre Project | Production | Lifers | Synergy Theatre Project | Southwark Playhouse (Borough) | ||||
| Atri Banerjee | Director (Play) | Scenes from the Climate Era | Mark Hartley | Playground Theatre | ||||
| Tom Foskett-Barnes | Sound | Scenes from the Climate Era | Mark Hartley | Playground Theatre | ||||
| Peyvand Sadeghian, Harriet Gordon-Anderson, Ziggy Heath, Miles Barrow | Ensemble (Play) | Scenes from the Climate Era | Mark Hartley | Playground Theatre | ||||
| Ryan Joseph Stafford | Lighting | Scenes from the Climate Era | Mark Hartley | Playground Theatre | ||||
| Mark Hartley | Production | Scenes from the Climate Era | Mark Hartley | Playground Theatre | ||||
| Samuel Smithson | Director (Play) | 4's a Crowd | Fiascoholics | The Hope Theatre | ||||
| CRIPtic Arts for Liberty Festival | Access | Liberty Festival | CRIPtic Arts | Battersea Arts Centre | ||||
| Mike Robertson | Lighting | The Shadow in the Mirror | The Mill at Sonning | The Mill at Sonning | ||||
| Simon Slater | Sound | The Shadow in the Mirror | The Mill at Sonning | The Mill at Sonning | ||||
| Diego Pitarch | Set | The Shadow in the Mirror | The Mill at Sonning | The Mill at Sonning | ||||
| The Mill at Sonning | Production | The Shadow in the Mirror | The Mill at Sonning | The Mill at Sonning | ||||
| Tim Connery | New Play | Masterclass | Luke Adamson | Bridge House Theatre | ||||
| Alex Dee | Lead Performance (Play) | Masterclass | Luke Adamson | Bridge House Theatre | ||||
| Kurt Lucas | Supporting Performance (Play) | Masterclass | Luke Adamson | Bridge House Theatre | ||||
| Luke Adamson | Director (Play) | Masterclass | Luke Adamson | Bridge House Theatre | ||||
| Luke Adamson | Production | Masterclass | Luke Adamson | Bridge House Theatre | ||||
| Shona Maule | Lead Performance (Play) | Honestly | Antony Bellekom | The Space | ||||
| Lewis Bear Brown | Lead Performance (Musicals) | Love Quirks a new musical | Seth-Bisen-Hersh | The Other Palace (Studio) | ||||
| Oliver McNally | Lighting | Love Quirks a new musical | Seth-Bisen-Hersh | The Other Palace (Studio) | ||||
| Seth Bisen-Hersh | Musical (Lyrics) | Love Quirks a new musical | Seth-Bisen-Hersh | The Other Palace (Studio) | ||||
| Seth Bisen-Hersh | Production | Love Quirks a new musical | Seth-Bisen-Hersh | The Other Palace (Studio) | ||||
| Carleigh McRitchie and Bella Wright | New Musical (Book) | The Gardening Club | Nowhere Girls Theatre in Association with Belinda Matthews | New Wimbledon Theatre (Studio) | ||||
| Carleigh McRitchie and Bella Wright | New Musical (Lyrics) | The Gardening Club | Nowhere Girls Theatre in Association with Belinda Matthews | New Wimbledon Theatre (Studio) | ||||
| Carleigh McRitchie and Bella Wright | New Music | The Gardening Club | Nowhere Girls Theatre in Association with Belinda Matthews | New Wimbledon Theatre (Studio) | ||||
| Nowhere Girls Theatre in Association with Belinda Matthews | Production | The Gardening Club | Nowhere Girls Theatre in Association with Belinda Matthews | New Wimbledon Theatre (Studio) | ||||
| Ethan Cheek | Set | The Code | DEM Productions | Southwark Playhouse (Elephant) | ||||
| Jack Weir | Lighting | The Code | DEM Productions | Southwark Playhouse (Elephant) | ||||
| Josh Bamling | Wig/Hair/Makeup (WHAM) | The Code | DEM Productions | Southwark Playhouse (Elephant) | ||||
| Michael McKeever | New Play | The Code | DEM Productions | Southwark Playhouse (Elephant) | ||||
| Tracie Bennett | Lead Performance (Play) | The Code | DEM Productions | Southwark Playhouse (Elephant) | ||||
| Nick Blakeley | Supporting Performance (Play) | The Code | DEM Productions | Southwark Playhouse (Elephant) | ||||
| Christopher Renshaw | Director (Play) | The Code | DEM Productions | Southwark Playhouse (Elephant) | ||||
| Solomon Davy | Newcomer | The Code | DEM Productions | Southwark Playhouse (Elephant) | ||||
| DEM Productions | Production | The Code | DEM Productions | Southwark Playhouse (Elephant) | ||||
| Oscar Brudenall-Jones | Solo Performance (Play) | Maybe I Should Stop | Esalan Gates | Touring | ||||
| Oscar Brudenall-Jones | New Play | Maybe I Should Stop | Esalan Gates | Touring | ||||
| Mim Houghton | Set | lenny | Grey Castle Productions | Clapham Omnibus | ||||
| Gabriel Finn | Lighting | lenny | Grey Castle Productions | Clapham Omnibus | ||||
| Raffaela Pancucci | Sound | lenny | Grey Castle Productions | Clapham Omnibus | ||||
| Alfie Webster | Solo Performance (Play) | lenny | Grey Castle Productions | Clapham Omnibus | ||||
| Grey Castle Productions | Production | lenny | Grey Castle Productions | Clapham Omnibus | ||||
| Madeleine Carter | Solo Performance (Play) | Mabel | Sisu Theatre | Space Theatre | ||||
| Melanie Branton | Solo Performance (Play) | The Full English | Melanie Branton | Baron's Court Theatre | ||||
| Catherine Cusack | Supporting Performance (Play) | The Truth About Blayds | Andrew Maunder | Finborough Theatre | ||||
| Alex Marker | Set (Play) | The Truth About Blayds | Andrew Maunder | Finborough Theatre | ||||
| Matteo Depares | Sound (Play) | The Chaos That Has Been and Will No Doubt Return | Chalk Line Theatre | Southwark Playhouse (Borough) | ||||
| Rob Miles | Set (Play) | The Chaos That Has Been and Will No Doubt Return | Chalk Line Theatre | Southwark Playhouse (Borough) | ||||
| Jonathan Tafler | Lead Performance (Play) | Dr Freud Will See You Now, Mrs Hitler | Chromolume Productions | Upstairs at the Gatehouse | ||||
| Sam Mac | Lead Performance (Play) | Dr Freud Will See You Now, Mrs Hitler | Chromolume Productions | Upstairs at the Gatehouse | ||||
| Isaac Bernier-Doyle | Director (Play) | Dr Freud Will See You Now, Mrs Hitler | Chromolume Productions | Upstairs at the Gatehouse | ||||
| Annlouise Butt for Chromolume Productions | Production | Dr Freud Will See You Now, Mrs Hitler | Chromolume Productions | Upstairs at the Gatehouse | ||||
| Tony Marshall | Lead Performance (Play) | Eh Up, Me Old Flowers! | Simon Fielder | White Bear Theatre | ||||
| Simon Bejer | Opera (Design) | Patience | Charles Court Opera | Wilton's Music Hall | ||||
| Matthew Kellett and Catrine Kirkman | Opera (Performance) | Patience | Charles Court Opera | Wilton's Music Hall | ||||
| Charles Court Opera | Opera (Production) | Patience | Charles Court Opera | Wilton's Music Hall | ||||
| Joe Eason | Lead Performance (Play) | Two Come Home | Joe Eason for Quietland | The Cockpit Theatre | ||||
| Joe Eason | Musical Contribution | Two Come Home | Joe Eason for Quietland | The Cockpit Theatre | ||||
| Isobel Sheard | Director (Play) | Two Come Home | Joe Eason for Quietland | The Cockpit Theatre | ||||
| Samuel Button-Bell | Lighting | Two Come Home | Joe Eason for Quietland | The Cockpit Theatre | ||||
| Joe Eason, Hannelore Canessa-Wright, Quietland | Director (Play) | Two Come Home | Joe Eason for Quietland | The Cockpit Theatre | ||||
| Megan Prescott | Solo Performance (Play) | Really Good Exposure | Suzanah Rosanthal Productions | Soho Theatre Upstairs | ||||
| Ailsa Dalling, Emily Dyble, Stan Middleton | Puppetry (Performance) | Captain Sandy & the Sea Monster | Puppet Theatre Barge | Puppet Theatre Barge | ||||
| Maddie Dai | New Play | Captain Sandy & the Sea Monster | Puppet Theatre Barge | Puppet Theatre Barge | ||||
| Josh Middleton | TYA (Music) | Captain Sandy & the Sea Monster | Puppet Theatre Barge | Puppet Theatre Barge | ||||
| Stan Middleton, Shannon Topliss, Lyndie Wright | TYA (Design) | Captain Sandy & the Sea Monster | Puppet Theatre Barge | Puppet Theatre Barge | ||||
| Puppet Theatre Barge | TYA (Production) | Captain Sandy & the Sea Monster | Puppet Theatre Barge | Puppet Theatre Barge | ||||
| David Brady | Director (Play) | At Last | David Brady/ Proforca Theatre | Lion and Unicorn | ||||
| Ensemble | Ensemble (Play) | At Last | David Brady/ Proforca Theatre | Lion and Unicorn | ||||
| Jimmy Eadie | Immersive (Music) | Cascando | Pan Pan Theatre | Immersive London Walk | ||||
| Pan Pan Theatre | Immersive (Production) | Cascando | Pan Pan Theatre | Immersive London Walk | ||||
| Max Harrison | Director (Play) | The Pitchfork Disney | Lidless Productions | King's Head Theatre | ||||
| Ned Costello | Lead Performance (Play) | The Pitchfork Disney | Lidless Productions | King's Head Theatre | ||||
| Finlay McGuigan | Performance | Counting Sheeps | The Herd Theatre | Polka Theatre (and touring) | ||||
| Sam Caseley & Ysabelle Wombwell | Music | Counting Sheeps | The Herd Theatre | Polka Theatre (and touring) | ||||
| Bayley Graham | Dance (Performance) | Emerald Storm | Adam Garcia | Emerald Theatre | ||||
| Kellie Shirley and Peter Caulfield | Duo Performance (Play) | Two | Greenwich Theatre | Greenwich Theatre | ||||
| Luke Adamson and Alex Donald | Lighting | What a Gay Day | Bridge House Theatre | The Jack Studio Theatre | ||||
| Luke Adamson | Solo (Play) | What a Gay Day | Bridge House Theatre | The Jack Studio Theatre | ||||
| Alex Donald | Director (Play) | What a Gay Day | Bridge House Theatre | The Jack Studio Theatre | ||||
| Bridge House Theatre | Production | What a Gay Day | Bridge House Theatre | The Jack Studio Theatre | ||||
| Hope Rose | Lead Performance (Play) | Chameleon | Gabi McGurk | The Glitch | ||||
| Maryanne O'Brien & Joe Sergeant | Duo Performance (Play) | A Village Wooing by George Bernard Shaw & The Proposal by Chekhov/ | Jonas Cemm | The Tabard Theatre | ||||
| Jonas Cemm | Director (Play) | A Village Wooing by George Bernard Shaw & The Proposal by Chekhov/ | Jonas Cemm | The Tabard Theatre | ||||
| SweptUnder Productions | Costumes | The Ladies of Juliana | SweptUnder Productions | Etcetera Theatre | ||||
| Lydia Moll, Erin Nothnagel, Lydia Moll, Niamh Hall, Jocelyn Bathie, Kamahri May, Martha-Rose McKeown | Ensemble (Play) | The Ladies of Juliana | SweptUnder Productions | Etcetera Theatre | ||||
| The Company | New Play | The LIminoid | Jelly Legs | The Cockpit | ||||
| The Company | Ensemble (Play) | The LIminoid | Jelly Legs | The Cockpit | ||||
| Jess Mabel Jones | Director (Play) | The LIminoid | Jelly Legs | The Cockpit | ||||
| Georgia Polly-Taylor | Choreography/Movement | The LIminoid | Jelly Legs | The Cockpit | ||||
| Jelly Legs | Production | The LIminoid | Jelly Legs | The Cockpit | ||||
| Oli Savage | Director (Play) | In Defence of Adventurous Mothers | Vault Creative Arts | The Glitch | ||||
| Oli Savage | Set | In Defence of Adventurous Mothers | Vault Creative Arts | The Glitch | ||||
| Dmitry Bashtanov | Lighting | In Defence of Adventurous Mothers | Vault Creative Arts | The Glitch | ||||
| Simon Marshall | New Play | In Defence of Adventurous Mothers | Vault Creative Arts | The Glitch | ||||
| Jack Gray and Lucy Wells | Duo Performance (Play) | In Defence of Adventurous Mothers | Vault Creative Arts | The Glitch | ||||
| Eleanor Shaw for VAULT Creative Arts | Production | In Defence of Adventurous Mothers | Vault Creative Arts | The Glitch | ||||
| Millie Chalcraft | Set | King Lear is Dead | Shakespeare in the Pub | Old Red Lion | ||||
| Brenna Simpson | Lead Performance (Play) | King Lear is Dead | Shakespeare in the Pub | Old Red Lion | ||||
| Luka Wellman | Supporting Performance (Play) | King Lear is Dead | Shakespeare in the Pub | Old Red Lion | ||||
| Katya Schwarz and Isaac Redgrave | Director (Play) | King Lear is Dead | Shakespeare in the Pub | Old Red Lion | ||||
| Shakespeare in the Pub | Production | King Lear is Dead | Shakespeare in the Pub | Old Red Lion | ||||
| Tish Weinman | New Play | Provocateur | GALINDER GALINDER | Hope Theatre | ||||
| Tish Weinman | Lead Performance (Play) | Provocateur | GALINDER GALINDER | Hope Theatre | ||||
| Alex Chorley | Supporting Performance (Play) | Provocateur | GALINDER GALINDER | Hope Theatre | ||||
| GALINDER GALINDER | Production | Provocateur | GALINDER GALINDER | Hope Theatre | ||||
| Olivia Cordell | New Play | Bog Body: A One-Woman Show | Audrey O’Farrell | Baron's Court Theatre | ||||
| Olivia Cordell | Solo Performance (Play) | Bog Body: A One-Woman Show | Audrey O’Farrell | Baron's Court Theatre | ||||
| Nicola Hewitt-George | Costumes | Far Away | Lost Text/Found Space | Ambika P3 | ||||
| Jack Hathaway | Lighting | Far Away | Lost Text/Found Space | Ambika P3 | ||||
| Lorna Dale, Samuel Gosrani and Lizzie Hopley | Ensemble (Play) | Far Away | Lost Text/Found Space | Ambika P3 | ||||
| Lucy Ann Harrison | Sound | Far Away | Lost Text/Found Space | Ambika P3 | ||||
| Rebecca McCutcheon | Director (Play) | Far Away | Lost Text/Found Space | Ambika P3 | ||||
| Lost Text/Found Space | Production | Far Away | Lost Text/Found Space | Ambika P3 | ||||
| Ben Wendel | Lighting | Anthropocene | Ben Wendel and Emily Hawkins | Baron's Court Theatre | ||||
| Ben Wendel | New Play | Anthropocene | Ben Wendel and Emily Hawkins | Baron's Court Theatre | ||||
| Rosie Yates | Lead Performance (Play) | Anthropocene | Ben Wendel and Emily Hawkins | Baron's Court Theatre | ||||
| Emily Hawkins and James Christensen | Director (Play) | Anthropocene | Ben Wendel and Emily Hawkins | Baron's Court Theatre | ||||
| Ben Wendel and Emily Hawkins | Production | Anthropocene | Ben Wendel and Emily Hawkins | Baron's Court Theatre | ||||
| Georgina Housby | New Play | Spare Room | Blue Duck Theatre Company | Hens and Chickens Theatre | ||||
| Georgina Housby | Solo Performance (Play) | Spare Room | Blue Duck Theatre Company | Hens and Chickens Theatre | ||||
| Charlotte Ritter | New Play | Sunk Into The Earth | Fixed House Theatre | Baron's Court Theatre | ||||
| Caro Vinden and Theo Ambrosini | Supporting Performance | Sunk Into The Earth | Fixed House Theatre | Baron's Court Theatre | ||||
| Pete MacHale | New Play | Dear Young Monster | Just Something Different Ltd | Soho Theatre Upstairs | ||||
| Pete MacHale | Solo Performance (Play | Dear Young Monster | Just Something Different Ltd | Soho Theatre Upstairs | ||||
| Noah Pantano | Solo Stories | Pup Play: A Queer Pseudo-Lecture (Of Sorts) | Noah Alfred Pantano | Baron's Court Theatre | ||||
| Luke Ofield | New Play | Kill Drill | Unmasked Theatre Production | Baron's Court Theatre | ||||
| Christine Kempell | Lead Performance (Play) | Kill Drill | Unmasked Theatre Production | Baron's Court Theatre | ||||
| Pip O'Neill | Director (Play) | Kill Drill | Unmasked Theatre Production | Baron's Court Theatre | ||||
| Unmasked Theatre Production | Production | Kill Drill | Unmasked Theatre Production | Baron's Court Theatre | ||||
| Meg Coslett | New Play | Miss | Meg Coslett and Phoebe Rowell John | Lion and Unicorn Theatre | ||||
| Zoe Clayton-Kelly | Cabaret (Performance) | One Hundred And Thirty Thousand Squirrels In London (And I Want Them All To Love Me) | Zoe Clayton-Kelly | Aces and Eights | ||||
| Meg Coslett | New Play | Miss | missproductionteam | Lion and Unicorn Theatre | ||||
| Karen Holley and Brian Aris | Duo Performance (Play) | Ghost from a Perfect Place | Cellar Door Theatre Company | Drayton Arms Theatre | ||||
| Erin Hunter | New Play | Burn Baby Burn: LA Inferno | Slackline Productions | Etcetera Theatre | ||||
| Erin Hunter | Solo Stories | Burn Baby Burn: LA Inferno | Slackline Productions | Etcetera Theatre | ||||
| Ensemble | Ensemble (Musical) | Extraordinary Women | Richard Stirling | Jermyn Street Theatre | ||||
| Carla Joy Evans | Costumes | Extraordinary Women | Richard Stirling | Jermyn Street Theatre | ||||
| Joanna Goodwin | Choreography/Movement | Extraordinary Women | Richard Stirling | Jermyn Street Theatre | ||||
| Richard Stirling | Production | Extraordinary Women | Richard Stirling | Jermyn Street Theatre | ||||
| Laura Bacon | Puppetry | An Evening with Patsy May | Laura Bacon | Phoenix Artist Club | ||||
| Megan Marszal | New Play | I Love You Michael, Love Nadine | Jack Robertson, Medium Rare Productions | The Old Red Lion Theatre | ||||
| Rhys Cannon | Set Design | I Love You Michael, Love Nadine | Jack Robertson, Medium Rare Productions | The Old Red Lion Theatre | ||||
| Charlotte Sheehan | Director | I Love You Michael, Love Nadine | Jack Robertson, Medium Rare Productions | The Old Red Lion Theatre | ||||
| Ellie Baldwin, Megan Marszal and Kate Harbour | Ensemble Performance | I Love You Michael, Love Nadine | Jack Robertson, Medium Rare Productions | The Old Red Lion Theatre | ||||
| Jack Robertson, Medium Rare Productions | Production | I Love You Michael, Love Nadine | Jack Robertson, Medium Rare Productions | The Old Red Lion Theatre | ||||
| Deane McElree | New Play | Brief Play About Rage | Deane McElree and Clare Stenning | The Cockpit | ||||
| Clare Stenning | Lead Performance (Play) | Brief Play About Rage | Deane McElree and Clare Stenning | The Cockpit | ||||
| Georgia Polly-Taylor | Solo Performance (Play) | Hot Mess | Nancy Hannigan | Lion and Unicorn Theatre | ||||
| Nancy Hannigan | Director (Play) | Hot Mess | Nancy Hannigan | Lion and Unicorn Theatre | ||||
| Bai Zhijin and Jess Perry | Duo Performance (Play) | A.I.M (An Invisible Mission) | ICA Theatre | Etcetera Theatre | ||||
| Georgina Housby and Sam Dinnage | New Play | Spare Room | Blue Duck Theatre | Hen and Chickens | ||||
| Luke Dyer | Supporting Performance (Play) | Spare Room | Blue Duck Theatre | Hen and Chickens | ||||
| Sam Dinnage | Director (Play) | Spare Room | Blue Duck Theatre | Hen and Chickens | ||||
| Blue Duck Theatre | Production | Spare Room | Blue Duck Theatre | Hen and Chickens | ||||
| Chris Davey | Lighting | Clive | Arcola Theatre | Arcola Theatre | ||||
| Keala Settle | Lead Performance (Musical) | The Diana Mixtape | Christopher Clegg/TuckShop | HERE at Outernet | ||||
| Lucinda Lawrence | Supporting Performance (Musical) | The Diana Mixtape | Christopher Clegg/TuckShop | HERE at Outernet | ||||
| Adam Nightingale & Christopher Clegg | Video | The Diana Mixtape | Christopher Clegg/TuckShop | HERE at Outernet | ||||
| River Medway | WHAM | The Diana Mixtape | Christopher Clegg/TuckShop | HERE at Outernet | ||||
| Ensemble | Ensemble | The Diana Mixtape | Christopher Clegg/TuckShop | HERE at Outernet | ||||
| Christopher Clegg/TuckShop | Production | The Diana Mixtape | Christopher Clegg/TuckShop | HERE at Outernet | ||||
| Sophie Walmsley | Solo Performance (Play) | C U Later, Simulator | Jennie Haynes | Museum of Comedy | ||||
| Nik Corrall | Set | Brixton Calling | Kick It Anywhere | Southwark Playhouse (Borough) | ||||
| Derek Anderson | Lighting | Brixton Calling | Kick It Anywhere | Southwark Playhouse (Borough) | ||||
| Max Pappenheim | Sound | Brixton Calling | Kick It Anywhere | Southwark Playhouse (Borough) | ||||
| Alex Urwin | New Play | Brixton Calling | Kick It Anywhere | Southwark Playhouse (Borough) | ||||
| Max Runham | Lead Performance (Play) | Brixton Calling | Kick It Anywhere | Southwark Playhouse (Borough) | ||||
| Tendai Humphrey Sitima | Supporting Performance (Play) | Brixton Calling | Kick It Anywhere | Southwark Playhouse (Borough) | ||||
| Bronagh Lagan | Director (Play) | Brixton Calling | Kick It Anywhere | Southwark Playhouse (Borough) | ||||
| Tendai Humphrey Sitima | Musical Contribution | Brixton Calling | Kick It Anywhere | Southwark Playhouse (Borough) | ||||
| Kick It Anywhere | Production | Brixton Calling | Kick It Anywhere | Southwark Playhouse (Borough) | ||||
| Abbie Farnell | Design (WHAM) | Hot Ice XS | Stageworks Worldwide Productions | The Arena Blackpool | ||||
| Luke Pitman | TYA (Performance) | SPLAT! | Of The Jackel | Touring | ||||
| Brian Duffy, Justyna Janisewska & Georgia Tegou | TYA (Choreogoraphy/Movement) | SPLAT! | Of The Jackel | Touring | ||||
| Jason Sardinha | Solo Performance (Play) | Out of Bounds | Vkinn Vats, Shooting Stars Studio | Jack Studio Theatre | ||||
| Clare Stopford | Director (Play) | Out of Bounds | Vkinn Vats, Shooting Stars Studio | Jack Studio Theatre | ||||
| Simon Mole & Gecko | TYA (Performance) | The Great Big Dinosaur Show | The Half Moon Theatre | |||||
| Kaitlyn Kelly | Solo Stories | I Didn't Know I Was Polish | Kaitlyn Kelly | The Hope Theatre | ||||
| Arsema Thomas | Lead Performance (Play) | Poor Clare | Orange Tree | Orange Tree Theatre (Studio) | ||||
| Simon Lyshon | TYA (Performance) | I Want My Hat Back Trilogy | A Little Angel Theatre Production with Sam Wilde and Ian Nicholson | Polka Theatre (Studio) | ||||
| Jim Whitcher | TYA (Music) | I Want My Hat Back Trilogy | A Little Angel Theatre Production with Sam Wilde and Ian Nicholson | Polka Theatre (Studio) | ||||
| Set and puppets - Sam Wilde, Lighting - Sherry Coenen | TYA (Design) | I Want My Hat Back Trilogy | A Little Angel Theatre Production with Sam Wilde and Ian Nicholson | Polka Theatre (Studio) | ||||
| Sam Wilde and Ian Nicholson | Production | I Want My Hat Back Trilogy | A Little Angel Theatre Production with Sam Wilde and Ian Nicholson | Polka Theatre (Studio) | ||||
| Ed Coleman | Lead Performance (Play) | The White Chip | Danielle Tarento, Annaleigh Ashford, John Beyer and Creative Partners Productions | Southwark Playhouse | ||||
| Ce Ce D'Vyne | Lead Performance (Cabaret) | Funny Girls Summer Celebration Show 2025 (Blackpool) | Basil Newby | Funny Girls (Blackpool) | ||||
| Ce Ce D'Vyne & Luke Earl | Choreography/Movement (Cabaret) | Funny Girls Summer Celebration Show 2025 (Blackpool) | Basil Newby | Funny Girls (Blackpool) | ||||
| Ensemble | Performance (Cabaret) | Funny Girls Summer Celebration Show 2025 (Blackpool) | Basil Newby | Funny Girls (Blackpool) | ||||
| Basil Newby | Production | Funny Girls Summer Celebration Show 2025 (Blackpool) | Basil Newby | Funny Girls (Blackpool) | ||||
| Jo Herbert & Kelly Gough | Duo Performance (Play) | Run Sister Run | Toby Mather | Arcola Theatre (Studio) | ||||
| Tomás Palmer | Set Design (Play) | Run Sister Run | Toby Mather | Arcola Theatre (Studio) | ||||
| Marlie Haco | Director (Play) | Run Sister Run | Toby Mather | Arcola Theatre (Studio) | ||||
| Toby Mathew (Double Telling Productions) | Production | Run Sister Run | Toby Mather | Arcola Theatre (Studio) | ||||
| Anna Short | Sound Design | Get Happy | Joseph Aldous Ltd and Joe Brown | Clapham Omnibus | ||||
| Joseph Aldous | Solo Performance (Play) | Get Happy | Joseph Aldous Ltd and Joe Brown | Clapham Omnibus | ||||
| Piers Black | Director (Play) | Get Happy | Joseph Aldous Ltd and Joe Brown | Clapham Omnibus | ||||
| Joseph Aldous Ltd and Joe Brown | Production | Get Happy | Joseph Aldous Ltd and Joe Brown | Clapham Omnibus | ||||
| The Ensemble | Cabaret (Performance) | Briefs | Briefs | Outernet | ||||
| Robert Gordon Clark | New Writing (Play) | Can't Kill The Spirit | Doug King and Paula Robinson | Waterloo East Theatre | ||||
| Bay Bryan and Claire O'Connor | TYA (Music) | Three Little Vikings | Wrongsemble | Half Moon Theatre | ||||
| Zoë Hurwitz | Set Design (Play) | The Reckoning | Cristina Catalina | The Arcola | ||||
| Joshua Pharo | Lighting Design (Play) | The Reckoning | Cristina Catalina | The Arcola | ||||
| Josephine Burton, Anastasiia Kosodii | New Writing (Play) | The Reckoning | Cristina Catalina | The Arcola | ||||
| Marianne Oldham | Lead Performance (Play) | The Reckoning | Cristina Catalina | The Arcola | ||||
| Olga Safronova, Simeon Kylsyi | Supporting Performance (Play) | The Reckoning | Cristina Catalina | The Arcola | ||||
| Josephine Burton | Director (Play) | The Reckoning | Cristina Catalina | The Arcola | ||||
| Cristina Catalina | Production | The Reckoning | Cristina Catalina | The Arcola | ||||
| T K Hay | Set Design (Play) | Scenes from a Repatriation | Royal Court | Jerwood Studio | ||||
| Joel Tan | New Writing (Play) | Scenes from a Repatriation | Royal Court | Jerwood Studio | ||||
| The Cast | Ensemble (Play) | Scenes from a Repatriation | Royal Court | Jerwood Studio | ||||
| Royal Court | Production | Scenes from a Repatriation | Royal Court | Jerwood Studio | ||||
| Michael Twaits | Cabaret | The Saturday Supershow Cabaret | Phoenix Artist Club | Phoenix Artist Club | ||||
| Emily Kitchingham | Lead Performance (Musical) | Scouts! The Musical | Gigglemug Theatre | Hope Mill Theatre, Manchester | ||||
| Rob Gathercole | Musical Director | Scouts! The Musical | Gigglemug Theatre | Hope Mill Theatre, Manchester | ||||
| Sam Cochrane | Director | Scouts! The Musical | Gigglemug Theatre | Hope Mill Theatre, Manchester | ||||
| Gigglemug Theatre | Production | Scouts! The Musical | Gigglemug Theatre | Hope Mill Theatre, Manchester | ||||
| The Cast | Ensemble (Play) | The Ticking | Cellar Door Theatre Company | The Drayton Arms Theatre | ||||
| The Cast | Ensemble (Play) | Attempts On Her Life | Sam Smithson | The Hen and Chickens Theatre | ||||
| Robert Wolfe and Becky Dueck | Duo Performance (Play) | Sweetheart | Sweetheart Theatre Company | The Lion and Unicorn Theatre | ||||
| Robert Wolfe | New Writing (Play) | Sweetheart | Sweetheart Theatre Company | The Lion and Unicorn Theatre | ||||
| Alice Helps | Set Design (Play) | Storehouse | Sage & Jester | Storehouse Deptford | ||||
| Dr. Leo Geyer | Musical Contribution | The Lost Music of Auschwitz | Constella Music | The Bloomsbury Theatre | ||||
| Ensemble | Performance | The Lost Music of Auschwitz | Constella Music | The Bloomsbury Theatre | ||||
| Constella Music | Ballet | The Lost Music of Auschwitz | Constella Music | The Bloomsbury Theatre | ||||
| Claudia Schreier | Choreography/Staging | The Lost Music of Auschwitz | Constella Music | The Bloomsbury Theatre | ||||
| Constella Music | Production | The Lost Music of Auschwitz | Constella Music | The Bloomsbury Theatre | ||||
| Claire Dowie | Solo Stories | Claire Dowie's Swansong | Neil McPherson | The Finborough Theatre | ||||
| Tomas Palmer | Set Design (Play) | Radiant Boy | Cloudburst Productions | Southwark Playhouse | ||||
| Lucia Sanchez Roldan | Lighting Design (Play) | Radiant Boy | Cloudburst Productions | Southwark Playhouse | ||||
| Cast of Julius Caesar | Ensemble (Play) | Julius Caesar | Rag and Bone Theatre | The Hen and Chickens Theatre | ||||
| Anna Blackburn | Director (Play) | Julius Caesar | Rag and Bone Theatre | The Hen and Chickens Theatre | ||||
| Anoushka Lucas | Lead Performance (Play) | Elephant | Chocolate Factory/Bush Theatre/Kindred Partners | The Menier Chocolate Factory | ||||
| Anoushka Lucas | Musical Contribution | Elephant | Chocolate Factory/Bush Theatre/Kindred Partners | The Menier Chocolate Factory | ||||
| Jess Edwards | Director (Play) | Elephant | Chocolate Factory/Bush Theatre/Kindred Partners | The Menier Chocolate Factory | ||||
| Chocolate Factory/Bush Theatre/Kindred Partners | Production | Elephant | Chocolate Factory/Bush Theatre/Kindred Partners | The Menier Chocolate Factory | ||||
| Isabella Waldron | New Writing (Play) | The Watch | Chris Edge | The Glitch | ||||
| The Polka Theatre | TYA Production | Let's Build | The Polka Theatre | The Polka Theatre | ||||
| Matthew Blaney and Eoin Sweeney | Duo Performance (Play) | Derry Boys | Theatre 503 and Iona Bremner Productions | Theatre503 | ||||
| English Touring Opera | TYA Production | The Vanishing Forest | English Touring Opera | The Polka Theatre | ||||
| Cast and Musicians | TYA Performance | The Vanishing Forest | English Touring Opera | The Polka Theatre | ||||
| Michael Betteridge | TYA Music | The Vanishing Forest | English Touring Opera | The Polka Theatre | ||||
| Jonathan Ainscough | TYA Writing | The Vanishing Forest | English Touring Opera | The Polka Theatre | ||||
| Ensemble | Ensemble (Play) | Harmony | Noah Marullo, Sam Thorpe-Spinks | The White Bear Theatre | ||||
| Tana Sirois | Solo Stories | UnTethered | How Productions | The Glitch | ||||
| Unique Spencer | Supporting Performance (Play) | Millenium Girls | Zoe Gibbons | Brixton House | ||||
| Philip Gladwell | Cabaret Lighting | Sabrage | Strut & Fret and Menier Chocolate Factory | Lafayette | ||||
| Ensemble | Cabaret Performance | Sabrage | Strut & Fret and Menier Chocolate Factory | Lafayette | ||||
| Athena Stevens | New Writing (Play) | Diagnosis | Sarah Lawrie for Aegis | The Finborough Theatre | ||||
| Ché Walker | Director (Play) | Diagnosis | Sarah Lawrie for Aegis | The Finborough Theatre | ||||
| Jamie Sykes | New Writing (Play) | The Last Incel | Jamie Sykes | The Pleasance Theatre | ||||
| Justine Stafford, Jackson Ryan, Fiachra Corkery, Jimmy Kavanagh, GoblinsGoblinsGobline | Ensemble (Play) | The Last Incel | Jamie Sykes | The Pleasance Theatre | ||||
| Emily Kilkenny Roddy | Choreography/Movement | The Last Incel | Jamie Sykes | The Pleasance Theatre | ||||
| Jamie Sykes | Production | The Last Incel | Jamie Sykes | The Pleasance Theatre | ||||
| Jack Valentine | Set Design | The Sociable Plover | Medium Rare | The Old Red Lion Theatre | ||||
| Jack Robertson and Calum Lill | Duo Performance (Play) | The Sociable Plover | Medium Rare | The Old Red Lion Theatre | ||||
| Laith Elzubaidi | New Writing (Play) | Insane Asylum Seekers | Camille Koosyial in association with Bush Theatre | Bush Theatre (Studio) | ||||
| Tommy Sim'aan | Solo Performance (Play) | Insane Asylum Seekers | Camille Koosyial in association with Bush Theatre | Bush Theatre (Studio) | ||||
| Constance Villemat | Set Design | Overshare | Eleanor Hill | Greenwich Studio Theatre | ||||
| Matt Powell | Video Design | Overshare | Eleanor Hill | Greenwich Studio Theatre | ||||
| Eleanor Hill | New Writing (Play) | Overshare | Eleanor Hill | Greenwich Studio Theatre | ||||
| Eleanor Hill | Solo Performance (Play) | Overshare | Eleanor Hill | Greenwich Studio Theatre | ||||
| Eleanor Hill | Production | Overshare | Eleanor Hill | Greenwich Studio Theatre | ||||
| Keistra-Paris Banya | Make Up/Hair/Wigs | Marie & Rosetta | Rose Theatre, Chichester Festival Theatre & ETT | Rose Theatre Kingston | ||||
| Beverly Knight & Ntombizodwa Ndlovu | Duo Performance (Play) | Marie & Rosetta | Rose Theatre, Chichester Festival Theatre & ETT | Rose Theatre Kingston | ||||
| Shirley Tetteh | Musical Contribution | Marie & Rosetta | Rose Theatre, Chichester Festival Theatre & ETT | Rose Theatre Kingston | ||||
| Rose Theatre, Chichester Festival Theatre & ETT | Production | Marie & Rosetta | Rose Theatre, Chichester Festival Theatre & ETT | Rose Theatre Kingston | ||||
| Tim McArthur | Cabaret | Eurovision Your Decision | Stephen Leslie Productions | Royal Vauxhall Tavern | ||||
| Nick Cassenbaum | Solo Performance (Play) | Bubble Schmeisis | Nick Cassenbaum | Soho Theatre | ||||
| Daniel Gouly & Josh Middleton | Musical Contribution | Bubble Schmeisis | Nick Cassenbaum | Soho Theatre | ||||
| Claire Evans | Director (Play) | Bobby and Amy | Claire Evans | Oso Arts Centre | ||||
| Gwithian Evans and Geebs Marie Williams | Duo Performance (Play) | Bobby and Amy | Claire Evans | Oso Arts Centre | ||||
| David Fielder | Lead Performance (Play) | Blood Wedding | Two's Company | Omnibus Theatre | ||||
| Julian Moore-Cook | Lead Performance (Play) | Conversations After Sex | Ye You Productions | Park Theatre | ||||
| Patrice Naiambana | Lead Performance (Play) | The Secret Lives of Baba Segi's Wives | Arcola Theatre with Elufowoju Jr Ensemble | The Arcola Theatre | ||||
| Dolapo Oni | Supporting Performance (Play) | The Secret Lives of Baba Segi's Wives | Arcola Theatre with Elufowoju Jr Ensemble | The Arcola Theatre | ||||
| Femi Elufowoju jr | Director (Play) | The Secret Lives of Baba Segi's Wives | Arcola Theatre with Elufowoju Jr Ensemble | The Arcola Theatre | ||||
| Production | Arcola Theatre with Elufowoju Jr Ensemble | The Secret Lives of Baba Segi's Wives | Arcola Theatre with Elufowoju Jr Ensemble | The Arcola Theatre | ||||
| Bori Mezo, Ella Mackay and Emily Dyble | Puppetry Performance | Hopeful Monsters | Hopeful Monster | The Well Walk Theatre | ||||
| Michael Hyland | Puppetry Music | Hopeful Monsters | Hopeful Monster | The Well Walk Theatre | ||||
| Bori Mezo, Ella Mackay and Eti Meacock | Puppetry Design | Hopeful Monsters | Hopeful Monster | The Well Walk Theatre | ||||
| Hopeful Monster | Puppetry Production | Hopeful Monsters | Hopeful Monster | The Well Walk Theatre | ||||
| Frederick Russell | Lead Performance (Play) | Dick | Next to Nothing Productions | The Drayton Arms Theatre | ||||
| Andi Bickers | Supporting Performance (Play) | Dick | Next to Nothing Productions | The Drayton Arms Theatre | ||||
| Thisakya Dias | Lead Performance (Play) | The Little Prince | Liminal Space Theatre Company | The Cockpit Theatre | ||||
| Alice Victoria Winslow | Lead Performance (Play) | Moderation | Over Here Theatre Company | The Hope Theatre | ||||
| Lydia Parker | Direction (Play) | Moderation | Over Here Theatre Company | The Hope Theatre | ||||
| Kevin Kautzman | New Writing (Play) | Moderation | Over Here Theatre Company | The Hope Theatre | ||||
| Suzette Coon | Production | Moderation | Over Here Theatre Company | The Hope Theatre | ||||
| Stephanie Okoye | Newcomer | The Psychiatrist | Kenneth Michaels | The White Bear Theatre | ||||
| Mali Wen Davies | Newcomer | Supersonic Man | LAMBCO Productions | Southwark Playhouse Borough | ||||
| Aaron Clingham | Musical Director | Supersonic Man | LAMBCO Productions | Southwark Playhouse Borough | ||||
| Libby Boyd | New Play | Schrödinger's Lesbians | Themis Theatre | The Glitch | ||||
| Charlotte Boyle | Lead Performance (Play) | Schrödinger's Lesbians | Themis Theatre | The Glitch | ||||
| Ruby Blue Tansey-Thomas | Supporting Performance (Play) | Schrödinger's Lesbians | Themis Theatre | The Glitch | ||||
| Themis Theatre | Production | Schrödinger's Lesbians | Themis Theatre | The Glitch | ||||
| Jordan Stamatiadis and Christopher Kent | Ensemble (Play) | Things I Know To Be True | Charlie Robertson/Old Sorting Office | OSO Arts Centre | ||||
| Lydia Sax | Director (Play) | Things I Know To Be True | Charlie Robertson/Old Sorting Office | OSO Arts Centre | ||||
| Naomi Denny | New Writing (Play) | All the Happy Things | SH Productions | Soho Theatre | ||||
| Naomi Denny | Lead Performance (Play) | All the Happy Things | SH Productions | Soho Theatre | ||||
| Steven Frayne | Cabaret | Up Close and Magical | (unknown) | Underbelly Boulevard | ||||
| Euripides Laskaridis | Solo Stories | Relic | the Athens & Epidaurus Festival & the OSMOSIS performing arts company | The Coronet Theatre | ||||
| Ellie Wintour | Set Design | Florence | El Blackwood Productions | The Other Palace | ||||
| Ed Saunders | Lighting Design | Florence | El Blackwood Productions | The Other Palace | ||||
| Sarah Spencer | Sound Design | Florence | El Blackwood Productions | The Other Palace | ||||
| Honor Santa Barnes | New Writing (Play) | Florence | El Blackwood Productions | The Other Palace | ||||
| Honor Santa Barnes | Lead Performance (Play) | Florence | El Blackwood Productions | The Other Palace | ||||
| El Blackwood | Play | Florence | El Blackwood Productions | The Other Palace | ||||
| El Blackwood Productions | Production | Florence | El Blackwood Productions | The Other Palace | ||||
| Kacey Ainsworth and Liam Tobin | Duo Performance in a Play | Jab | Sue Pomroy in association with Park Theatre | Park Theatre | ||||
| Tim Mitchell | Lighting Design | The Play's The Thing - A One-Person Hamlet | Regeneration Theatre | Wilton's Music Hall | ||||
| Mark Lockyer | Solo Performance in a Play | The Play's The Thing - A One-Person Hamlet | Regeneration Theatre | Wilton's Music Hall | ||||
| Fiona Laird | Director in a Play | The Play's The Thing - A One-Person Hamlet | Regeneration Theatre | Wilton's Music Hall | ||||
| Regeneration Theatre | Production | The Play's The Thing - A One-Person Hamlet | Regeneration Theatre | Wilton's Music Hall | ||||
| Gareth David-Lloyd | Solo Performance in a Play | After Agincourt | Crooked Billets Theatre Co. | The Lion and Unicorn | ||||
| Andrew Johnson | Sound Design | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| Ben Ormerod | Lighting Design | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| Mathew Wilder | New Musical (Music) | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| Anna Kelsey | Costume Design | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| Ensemble | Performance - Musicals | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| Neil Rutherford | Casting | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| Ceci Calf | Set Design | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| David Gilmore | Director (Musical) | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| Jae Alexander | Musical Director | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| Patrick Bywalski and Steven M Levy | Production | Stiletto | Patrick Bywalski and Steven M Levy | The Charing Cross Theatre | ||||
| Andrew Caddies | Set Design | The Washing Line | Chickenshed | Chickenshed | ||||
| Michael Bossisse & Bethany Hamlin | Director (Musical) | The Washing Line | Chickenshed | Chickenshed | ||||
| Dave Carey | Musical Director | The Washing Line | Chickenshed | Chickenshed | ||||
| Chickenshed | Production | The Washing Line | Chickenshed | Chickenshed | ||||
| Chris Fung | New Play | The Society For New Cuisine | Fun Guy Productions | Clapham Omnibus | ||||
| Chris Fung | Solo Performance (Play) | The Society For New Cuisine | Fun Guy Productions | Clapham Omnibus | ||||
| Rajiv Pattani | Lighting Design | The Society For New Cuisine | Fun Guy Productions | Clapham Omnibus | ||||
| Rupert Hands | Director (Play) | The Society For New Cuisine | Fun Guy Productions | Clapham Omnibus | ||||
| Fun Guy Productions | Production | The Society For New Cuisine | Fun Guy Productions | Clapham Omnibus | ||||
| Dylan Townley | Musical Contribution | Murder, She Didn't Write | Degrees of Error | Touring | ||||
| The Cast | Performance (Musical) | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Mehmet Ergen | Director (Musical) | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Chris Whittaker | Choreography/Movement | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Robert Innes Hopkins | Costume Design | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Matt Giles | Sound Design | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Adam Davidson | Lead Performance | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Chad Saint Louis | Supporting Performance | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Ashton Moor | Musical Director | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Mark O’Donnell & Thomas Meehan | New Musical (Book) | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| David Javerbaum & Adam Schlesinger | New Musical (Music) | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Arcola Theatre | Production | Cry Baby, the musical | Arcola Theatre | Arcola Theatre | ||||
| Nick Hyde | New Writing (Play) | Double Act | Robbie Nestor | Southwark Playhouse Borough | ||||
| Nick Hyde | Lead Perfomance | Double Act | Robbie Nestor | Southwark Playhouse Borough | ||||
| Robbie Nestor | Production | Double Act | Robbie Nestor | Southwark Playhouse Borough | ||||
| Oliver Maynard | Supporting Performance | Double Act | Robbie Nestor | Southwark Playhouse Borough |
